Menu

Gallery

Click on an image to view the artwork and accompanying poem, and use the drop-down menu above to navigate the gallery

A photograph of a sunny room with a dark wooden chair. On the wooden chair is a tan cushion and four organic shapes made of nylons. The largest nylon shape is covered with bits of alpaca hair and has a mouth-like hole with a chunky metal chain emerging from it. In the top third of the painting, a pale hand with turquoise nail polish holds a cast iron skillet. Hanging from the cast iron skillet are four organic nylon shapes. These shapes are suspended by fishing line and are in shades of pink, tan, and brown.
A painting consisting of house paint, oil paint, gesso, oil pastels, charcoal, marking stick, spray paint, watercolor paint on a drop cloth. 60% of the painting is a slate blue smudge that cuts diagonally across the composition. In the upper right corner is a black smudge that extends into a white circle with a canary yellow triangle. In the lower left corner is an area of black and white with a curved red organic line. In the upper left corner is a small square, split into four smaller squares. The squares are primary blue, primary red, primary yellow, and yellow-green.
A photographic print of a gothic cathedral shot from an ant’s eye view. The print has several images layered, all of which are translucent. Over the cathedral is a large white cloud and in the foreground there are four pine trees, which are a dark red. The background is a dense forest canopy with spots of light trickling through the leaves.
An acrylic painting of great horned owls feasting on hares. There are four owls and all of them are in flight. The owls are swooping down to the grass to catch the frantic hares. The scene takes place at night and the grass is painted with shades of blue. Black shadows are cast over the grass from the owls in the air.
A letterpress print of the word “matter” in black ink on a white background in varying sizes. The word “matter” appears in large, legible text at the top left corner. In the middle of the print, the word “matter” is layered so many times that the word becomes a black mass. At the bottom of the print, the word “matter” is printed multiple times vertically in small text.
A digital illustration of a nude, young woman with brown skin sitting cross legged against a dark gray background with four gray squares behind her. The woman has curly brown hair and is smiling. Each of her hands are covered in black and white paint, which she has used to paint hand prints onto her face and body. The paint also extends beyond the woman and resembles a rorschach inkblot or butterfly wings. The paint is in shades of black, white, primary blue, fuschia, mint green, pumpkin orange, and yellow-green.
A digital illustration of a fuzzy moth. The moth is a vibrant orange shade and is surrounded by a halo of electric blue. There are highlighter yellow stripes on all of the moth’s wings and on each of the lower wings are line drawings of a sun and a moon. The background is a distorted, pixelated pattern in shades of maroon, mint green, highlighter yellow, and vibrant orange.
Relief prints over two-color monoprint. In the lower third of the print are six blockish, turquoise, and humanoid figures that depict a sequence of jumping. From the left, the first figure squats, and the second and third figures are in the air. The fourth figure is airborne but upside down, as if the figure is doing a summersault. The fifth and sixth figures show a descent and the sixth figure lands firmly on the ground. In the middle third of the print, there are four gold circles. In the upper two-thirds of the print, there is a black and faded curved that extends horizontally across the painting. Above this line are several faded, black shapes that are reminiscent of clouds.The background is a light gray.
A mixed media painting of a vase of flowers on a table. The paint is very textured with heavy impasto and crosshatching. The vase is shaped like a wine bottle and is painted with shades of yellow, brown, cream, and orange. Inside the vase are three flowers. Two of the flowers are grey and wilted. The flower in the center of the vase is upright and a bright yellow green color. The background is a gray blue with a purple shadow behind the vase. The table the vase is on is a murky fuschia mixed with orange.
A black and white, digital photograph of a raised, wooden walkway through some sand dunes. The perspective of the photo has the viewer looking straight ahead on the wooden walkway. There are wooden railings on both sides of the walkway and in the distance, the path turns right and leads to a wooden gate. Patches of beach grass cover the dunes and the sky is full of cumulus clouds.
A watercolor and gouache painting of a coastal landscape. In the foreground is a lone birch, painted with bold strokes of gray, white, and baby blue. In the background is a raging storm, where white capped waves crash against a sandy beach and rocky jettys. In the background is also a white lighthouse, with a yellow beam of light that cuts horizontally across the right vertical third of the painting. The sky is full of gray storm clouds with a bolt of yellow lightning. The reflection of the lightning is seen on the ocean.
An oil painting of two boys in a canoe on a lake. The painting is in an impressionistic style where the colors blend together and the boys in the canoe do not have distinguishable faces. The boy at the bow of the canoe is wearing a white shirt and blue shorts and the boy at the stern is wearing a red shirt and blue shorts. Both boys are pale and have their paddles out of the water, as if they are resting and taking in their surroundings. The canoe is a shade of reddish brown that blends into the water, which is mixed with shades of pastel green, blue, periwinkle, and pink. There are several lilly pads with white flowers in the lake. The background is a pine forest in a swampy green shade and the sky is a murky white.
Back To Top